It’s been a while since I’ve had an epiphany, but change is definitely in the air. A few months back the combination of having TOO MUCH OF MY OWN ART and having ready access to left-over spray-paints and gloss paint (that was being chucked out from Damien Hirst’s studio) provoked me to start tossing the… Continue reading A COVER UP OF THE PAST
I’m delighted to announce my collaboration with Lift Art Gallery. Enjoy the virtual tour of my exhibition! http://www.exhibitionatlift.com/caroline-jaine/
I grew up in a carpenters workshop – my mum made extra money by painting on pine furniture that my step father had made. Decades later, having toyed with the odd painted cupboard, I am wondering whether paintings aren’t altogether better presented on a three dimensional object. Here is my first tester. It’s not-very-imaginatively called… Continue reading Furniture as a canvas
The fast changing landscape of surveillance and the globalisation of digital imagery calls for the counterpoint of intense, ‘local’ imagery contained within a painting. The possibilities of allegory and complex meaning are distinct: the symbolic realm can come to the fore. The conveying of character in a painted portrait is specific and dynamic. There is… Continue reading Why paint a portrait?
Useful for anyone exhibiting in a non-gallery location A few months ago I was asked by some friends who work in an Estate Agent in Spain if I would like to exhibit my collection of paintings in their office. Great. I love exhibiting in non-gallery spaces: it means non-gallery people get to see my… Continue reading How to make a hanging system for an exhibition